The essential companion to discover the styles, architecture, form, significance and historical impact of castles from all over the world. How to Read Castles is a travel-size primer that takes a strictly visual approach to castle architecture, building up your vocabulary of castle types, styles and materials, and showing you how these aspects can be recognised across architectural features from the floor-plan and moat, to the towers and crenulations. Focusing on the 10th-16th century period, and crusading across the globe from a Welsh motte-and-bailey to a Japanese hirajiro, this is both an architectural reference and a visitor's guide showing you how to read the stories embedded in every castle's stones. Castles once dominated the landscape as seats of power and symbols of wealth and status, providing a means of control over borders, passes, routes and rivers. Armed with this book you will be able to unpick their histories and see how they shaped the land around them. From rugged coastline defences to soaring mountain fortresses, this book takes you on an international journey of discovery, exploring some of the most inspiring and impressive architecture history has ever seen.

This book explains in detail the practice of masoncraft in the Middle Ages, using evidence from a number of sources. Monastic chronicles, building contracts and other contemporary documents have already revealed a good deal of information on the subject, but less attention has, until now, been paid to archaeological evidence preserved in numerous surviving Medieval buildings. Dr Hislop investigates how a study of certain features in these buildings, such as the stonework and building joints, can contribute to our knowledge of working practices of masons in medieval England. By focusing on how to interpret clues in the building structure, this account provides a practical guide to pursuing the study of masonry, and helps the reader to understand and identify the medieval mason's approach to design and constructional techniques.

In Castle Builders, Malcolm Hislop looks at the hugely popular subject of castles from the unusual perspective of design and construction. In this general introduction to the subject, we discover something of the personalities behind their creation - the architects and craftsmen - and, furthermore, the techniques they employed, and how style and technology was disseminated. Castle Builders takes both a thematic and a chronological approach to the design and construction of castles, providing the reader with clear lines of development. Themes include earth, timber and stone construction techniques, the evolution of the great tower, the development of military engineering, the progression of domestic accommodation, and the degree to which aesthetics contributed to castle design. AUTHOR: Malcolm Hislop is a buildings archaeologist and author with a special interest in medieval buildings. His doctoral thesis was based around the career of the Durham master mason, John Lewyn, one of the most prolific castle builders of the fourteenth century, and he has continued to maintain a keen interest in the process of medieval building design and construction. He is the author of John Lewyn of Durham, How to Build a Cathedral and How to Read Castles. Born in Yorkshire, he now lives in north-east Wales. 150 colour illustrations

A report on the archaeological and historical investigations undertaken at Tutbury Castle, Staffordshire. The town of Tutbury is situated on the eastern border of Staffordshire in central England some 15km south west of Derby and 6.5km north west of Burton upon Trent. Around 1068-69 the Normans founded a motte and bailey castle on a tactically advantageous bluff above the town with the strategic purpose of controlling important north-south and east-west routes of communication. Attacks on the castle in the 12th, 13th and 14th centuries may be cited as evidence of a continuing military significance down to 1322, when, as one of Thomas earl of Lancaster's castles, it was sacked by the forces of Edward II. As part of the duchy of Lancaster estate it became a royal property from 1399 and was extensively rebuilt during the 15th century; it is this late medieval phase that plays the most significant part in defining the architectural character of the castle today. The Civil War revived interest in the strategic and tactical advantages of the site, and ultimately led to the castle's destruction, although an afterlife ensued in the 18th century as a farm and romantic ruin.

This report outlines the results of archaeological investigations at Old Hall Street, Wolverhampton, West Midlands, UK (NGR SO 916984), carried out between 2000 and 2007. The results of the archaeological work have been combined with documentary, cartographic and genealogical studies, together with finds and scientific analyses, to present a broad interpretation of the history of settlement in the area and the motives behind it.

James of St George has a reputation as one of the most significant castle builders of the Middle Ages. His origins and early career at the heart of Europe, and his subsequent masterminding of Edward I of England's castle-building programmes in Wales and Scotland, bestow upon him an international status afforded to few other master builders retained by the English crown. The works erected under his leadership represent what many consider to be the apog e of castle development in the British Isles, and Malcolm Hislop's absorbing new study of the architecture is the most important reassessment to be published in recent times. His book explores the evolution of the Edwardian castle and James of St George's contribution to it. He gives a fascinating insight into the design, construction and organisation of such large-scale building projects, and the structural, military and domestic characters of the castles themselves. James's work on castles in the medieval duchy of Savoy is revisited, as are the native and foreign influences on the design of those he built for Edward I. Some seventy years after A.J. Taylor began his pioneering research into James of St George and his connection with Wales, the time is ripe for this revaluation of James's impact and of the extent of his influence on the architectural character of the